![]() ![]() The back leg usually corresponds to the hip that points down. This leg corresponds to the hip that points up. The leg positioned in the front is usually the "balance holder"- all the weight will fall on it. Keep in mind the following elements when drawing crossing legs: Fashion sketch fashion heels drawing trial#You will most likely experience some trial and error when sketching crossing and bent legs even if you know all the proportionality/movement rules by heart. When it comes to drawing crossing legs, balance is quite important. Fashion sketch fashion heels drawing how to#You can usually estimate foot placement by the fashion figure's movement which we'll show you how to do below. However, it is quite OK if the foot crosses over a bit more on the opposite side of the line. The same rule applies to the semi-curved vertical balance line displayed above. It is quite okay if one of the feet is touching the vertical line as long as most of the foot surface stays on the opposite side of the line than the second foot. Each foot should be positioned on opposite sides of the vertical line. The traditional vertical balance line rule is: Both feet CANNOT be positioned on the same side of the line or it will make the figure look like it is falling over. This semi-curved line will still allow you to draw the correct balance in your fashion figure but it will also help you capture the figure's movement much easier, especially if you are a beginner. To make it a bit easier, we are bending the rules and making this line semi-curved. It may seem difficult to understand how an inanimate object can have action, but they can have a feeling of action in their lines.īeads, compacts, and anything shiny may have shadows and high-lights to bring out their brilliance.Traditionally, a vertical balance line is a straight line that determines figure balance and foot placement. In sketching soft accessories such as handkerchiefs, scarfs, hose, etc., strive for a sketchy appearance. In your sketch if it is a smooth leather, illustrate it in an unbroken tone except where the shadows or high-lights hit it. ![]() If it is a rough leather, indicate the roughness In illustrating leathers try to get the general effect of the grain. ![]() Here, again, the artist has the privilege of sharpening his lines.Ī compass may be used for making circles when these are needed. Bags, too, would often have a run-down-at-the-heels look if they were sketched as they are usually seen in reality. If one sketched gloves as they actually are, they would usually have a worn look to them, whereas with the aid of a ruler an artist can lend them a smart crisp appearance. In sketching still-life objects, there is one quality every artist should strive for, - a fresh-from-the-tissue crispness, a sparkling new look. If the face is subordinated to the merchandise advertised, it will attract attention to that merchandise. I dare say more sales appeal, if they are shown on the hands of a woman holding her hat. If you are advertising gloves, they will have more feminine appeal, and. Even a face will attract attention to accessories. For instance, gloves are often shown to better advantage on the hand than in a flat picture. ![]() In some instances it is better to display accessories on the form rather than show them posed on a flat surface. Books are obtainable on the subject, and practically every school in the larger cities offers courses in the subject. To become a good accessories artist the student should know something about perspective. With the latter possibility in mind, it is well for the artist to become versatile enough to sketch anything from pots and pans to French-room gowns. Other stores expect one person to do all the sketching. Many of the larger department stores and specialty shops employ artists to sketch nothing but accessories, hiring other artists to sketch fashions exclusively. ![]()
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